I’m not really tied to one specific designer or movement when it comes to inspiration. In the past, I’ve been drawn to more abstract and geometric design styles—especially ones that keep things simple and intuitive. I think something like Corporate Memphis stands out to me. Even though it can feel kind of drab or overused, I believe it still has great potential when used the right way.
There’s also something about neon-lit retro signage that catches my eye—it’s bold and nostalgic, but I also really appreciate clean, simple design. To me, it’s all about keeping color choices limited but purposeful. If you can still get the point across without going over the top, that’s where the power of design really shows.
Even something like traffic signs inspires me in that way. They use basic icons and minimal design to represent everyday ideas instantly and clearly. That’s the kind of balance I try to strike in my own work: straightforward, thoughtful, and visually strong.